You only use one type of effects box live, but you use a lot of them. I designed a box for Yamaha called the UD Stomp, which I really liked, but they discontinued it. Then they came up with the Magicstomp, but I couldn’t use it until I discovered the programmer, which allowed me to recreate all of the sounds that I was getting from the UD Stomp. I use four, or sometimes six Magicstomps on stage, and they are all programmed to do completely different things. I use three to process the clean sound and three for the dirty sound, and I keep them on a table because I just don’t like stuff on the floor.